Jabari Asim (August 11, 1962 -)
I choose Rhythm,
the beginning as motion,
black Funk shaping itself
in the time before time,
dark, glorious and nimble as a sperm
sparkling its way into the greatest of grooves,
conjuring worlds from dust and storm and primordial soup.
I accept the Funk as my holy savior,
Funk so high you can’t get over it,
so wide you can’t get around it,
ubiquitous Funk that envelopes all creatures great and small,
quickens nerve endings and the white-hot
hearts of stars.
I believe in Rhythm rippling each feather on a sparrow’s back
and glittering in every grain of sand,
I am faithful to Funk as irresistible twitch, heart skip
and backbone slip,
the whole Funk and nothing but the Funk
sliding electrically into exuberant noise.
I hear the cosmos swinging
in the startled whines of newborns,
the husky blare of tenor horns,
lambs bleating and lions roaring,
a fanfare of tambourines and glory.
This is what I know:
Rhythm resounds as a blessing of the body,
the wonder and hurt of being:
the wet delight of a tongue on a thigh
fear inching icily along a spine
the sudden surging urge to holler
the twinge that tells your knees it’s going to rain
the throb of centuries behind and before us
I embrace Rhythm as color and chorus,
the bright orange bloom of connection,
the mahogany lure of succulent loins
the black-and-tan rhapsody of our clasping hands.
I whirl to the beat of the omnipotent Hum;
diastole, systole, automatic,
borderless. Bigger and bigger still:
Bigger than love,
Bigger than desire or adoration.
Bigger than begging and contemplation.
Bigger than wailing and chanting and the slit throats of roosters.
For which praise is useless.
For which gratitude might as well be whispered.
For which motion is meaning enough.
Funk lives in us, begetting light as bright as music
unfolding into dear lovely day
and bushes ablaze in
Rhythm. Until it begins again.